Fandom is focus. Fandom is obsession. Fandom is insatiable consumption. Fandom is sitting for hours in front of a TV screen a movie screen a computer screen with a comic book a novel on your lap. Fandom is eyestrain and carpal tunnel syndrome and not enough exercise and staying up way, way past your bedtime.

Fandom is people you don’t tell your mother you’re meeting. Fandom is people in the closet, people out and proud, people in costumes, people in T-shirts with slogans only fifty others would understand. Fandom is a loud dinner conversation scaring the waiter and every table nearby.

Fandom is you in Germany and me in the US and him in Australia and her in Japan. Fandom is a sofabed in New York, a roadtrip to Oxnard, a friend behind a face in London. Fandom talks past timezones and accents and backgrounds. Fandom is conversation. Communication. Contact.

Fandom is drama. Fandom is melodrama. Fandom is high school. Fandom is Snacky’s law and Godwin’s law and Murphy’s law. Fandom is smarter than you. Fandom is stupider than you. Fandom is five arguments over and over and over again. Fandom is the first time you’ve ever had them.

Fandom is female. Fandom is male. Fandom lets female play at being male. Fandom bends gender, straight, gay, prude, promiscuous. Fandom is fantasy. Fandom doesn’t care about norms or taboos or boundaries. Fandom cares too much about norms and taboos and boundaries. Fandom is not real life. Fandom is closer than real life. Fandom knows what you’re really like in the bedroom. Fandom is how you would never, could never be in the bedroom.

Fandom is shipping, never shipping, het, slash, gen, none of the above, more than the above. Fandom is love for characters you didn’t create. Fandom is recreating the characters you didn’t create. Fandom is appropriation, subversion, dissention. Fandom is adoration, extrapolation, imitation. Fandom is dissection, criticism, interpretation. Fandom is changing, experimenting, attempting.

Fandom is creating. Fandom is drawing, painting, vidding: nine seasons in four minutes of love. Fandom is words, language, authoring. Fandom is essays, stories, betas, parodies, filks, zines, usenet posts, blog posts, message board posts, emails, chats, petitions, wank, concrit, feedback, recs. Fandom is writing for the first time since you were twelve. Fandom is finally calling yourself a writer.

Fandom is signal and response. Fandom is a stranger moving you to tears, anger, laughter. Fandom is you moving a stranger to speak.

Fandom is distraction. Fandom is endangering your job, your grades, your relationships, your bank account. Fandom gets no work done. Fandom is too much work. Fandom was/is just a phase. Fandom could never be just a phase. Fandom is where you found a friend, a sister, a kindred spirit. Fandom is where you found a talent, a love, a reason.

Fandom is where you found yourself.

http://hesychasm.livejournal.com/187818.html

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Fandom is signal and response. Fandom is a stranger moving you to tears, anger, laughter. Fandom is you moving a stranger to speak.

(via rynirer)

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I cry every. damn. time. this post shows up on my dash.

(via toriandrelativedimensionsinspace)

Fandom is appropriation, subversion, dissention. Fandom is adoration, extrapolation, imitation. Fandom is dissection, criticism, interpretation. Fandom is changing, experimenting, attempting.

(via icoulduseinsouciantmaybe)

FOREVER YES.  🙂

christel-thoughts:

tonidorsay:

ladyw1nter:

obstinatecondolement:

knitmeapony:

mimejuice:

dduane:

spodiddly:

tinuelena:

Whose intervention ensured Star Trek saw the light of day?

Answer: Lucille Ball

Most people recognize and remember Lucille Ball as the lovable and silly star of one of America’s earliest and most loved sitcoms, I Love Lucy. What most people don’t know is that Lucille was a savvy business woman and that she and her husband Desi Arnaz had amassed a small fortune and owned their own studio, Desilu.

It was at Desilu that acclaimed Sci-Fi screenwriter and visionary Gene Roddenberry got his big break. Roddenberry pitched the Star Trek pilot to the studio as a sort of Western-inspired space adventure. While many within the studio balked at the idea, Lucille liked the idea and the first pilot was approved and filmed. The pilot was pitched to NBC and was promptly rejected on the grounds that it was too intellectual, not enough like the space-western they had been lead to believe it would be, and audiences wouldn’t relate to it. Lucille, a fan of Roddenberry’s work, pushed back against NBC and insisted they order a second pilot. Ordering a second pilot was a practice almost entirely unheard of and save for Lucille’s charisma and clout with the network it would never have happened.

Roddenberry shot the second pilot, NBC accepted it, and Star Trek premiered in 1966, thus beginning a new era in the Sci-Fi genre and laying the foundation for half a century of Star Trek fandom–an era that would have never come to pass without the intervention and insistence of Lucille Ball.

Bonus Trivia: After her divorce from Arnaz, Lucille bought out his share of their studio. As a result she became the first woman to both head and own a major studio. (*)

Now I love Lucy.

So few people know about this! Too few. Glad to see this turning up here. Also: it was through Lucille Ball’s influence that the concept of the rerun (previously unknown and thought to be worthless by studios to whom it was pitched) finally took hold. Desilu essentially pioneered the concept of syndication, and of the “syndication package” — the minimum number of episodes (initially 65, now sometimes more) necessary for a series to become commercially viable, via onward sales, for longer than its initial live run.

We have a lot to thank Lucy for besides that beautiful rubbery face.  🙂

whoa.

This is just another way that we can remember that as women We. Created. Scifi.

Never let anyone tell you that women are a recent addition to fandom.  From Mary Shelley on, horror, sci fi and fantasy have been a women’s realm since the beginning.

Always reblog.

fuck. I never knew this. A NEW FOREVER REBLOG.

There is much, much more to know about Lucille Ball and her contributions to pop culture, but even more to know about her and her contributions to feminism.

Without Lucille Ball, there would never have been a Mary Tyler Moore.

The Untouchables, Mission: Impossible, Mannix, the Andy Griffith Show, Dick Van Dyke, My Three Sons, I SPy and That Girl were all part of what she, specifically, realized were going to be popular, often despite everyone else saying she was wrong.

Desilu bought RKO, though later sold many of the rights to films from that incredible collection.

As a company,they developed the standard multiple camera format that is used on all sitcoms today.

Today, what was once Desilu, is known as CBS Televisions Studios.

She was an older woman who married a younger man — a Cuban, which in those days was an interracial marriage — through elopement.  It was, for the times, scandalous.

So scandalous, that the radio show that ultimately became I Love Lucy was sidelined because Executives didn’t think the public would go for it.

A Cuban headlining a major hit was and is a major win, that is often overlooked these days because of the stereotypes that came from such a popular show.

Together, her and Desi were incredibly shrewd.  When the sponsor, Phillip Morris, wouldn’t pay for the expense of filming the show, they said they would take a cut in pay in exchange for the rights to the film, and ended up owning I Love Lucy.  It would be two decades and change before CBS got it back, and then under some terms that were favorable to Lucille and Desi’s children, ultimately. Both of whom were born when she was in her 40’s.

She registered as  communist in the 1930’s, and as a result, was brought up before the damnable McCarthy HCUAA.   She supported Roosevelt for President, and then later voted for Eisenhower — showing that she was more interested in doing what’s right, over doing it for personal gain.

She was one of the greatest women of the last century, a “B movie queen” who changed the world in ways that are, as is often typical, consistently overlooked.

She was the prototype that pushed women to question the status quo, the icon that many struggled with and against, an example that reverberated with people old and young when marching and shouting and arguing about a woman’s right to be her own person and have control over her own life.

She not only inspired it, she lived it.

my mother and cousin LOVE her. As a result, I knew some of this already and wondered why she wasn’t celebrated more as a business woman and feminist.