Not even a quarter through this video and I can’t believe it’s real, I mean Gatiss just basically confirmed the whole Mycroft’s weight problem mirrors Sherlock’s drug problem thing, Moffat was all “heh well the idea of Mary working for Mycroft is borne of Sherlock’s drug-induced paranoia,” this is all gold
now they’re talking about “adjusting Doyle’s intent” perfect just perf e c t
RELEASE THE OUTTAKE OF ANDREW GAGGING ON FAKE DUST
I am here for Sue’s snark about mansplaining
they tried to make Andrew look like ugly Moriarty and people were surprised when that failed?
Mofftiss has a dinner date to talk about Garridebs, that’s so cute
That was a gift.
Sue remains a queen. Amanda is a Johnlocker. Mark talked about drawing dicks in Mycroft’s notebook and Steven is a smug fucker and I love him and couLD THEY TALK ABOUT MARY AND BEARDS A LITTLE MORE, I MEAN
As for that last “there’s one element no one’s picked up on” thing, if I had to place a bet I’d say that’s Sherlock’s repressed memory of whatever drove him to drugs as a kid. That’s something that wasn’t discussed much in theories until TAB, despite lots of little hints in the first three seasons.
ILU Mofftiss, have fun talking about finally writing that kiss scene when you have dinner together in a few weeks, eat up boys
I can’t believe this interview is real!!!
Posted on
That’s the solution to the real crime, but it’s much more about what’s going on in Sherlock’s head. […] We were very keen to actually say this is where the story would end, if you were really solving it, but there’s much more to come.
Mark Gatiss, Themes Dissected- Post Mortem: The Abominable Bride (x)
In other words, once again, IT’S NOT ABOUT THE CASES <3
I can’t get over the fact that Sherlock knew exactly where to go when MP Molly told him “to control the pain”.
If he has a specific room, that must mean he’s had to control the “pain” before. Not just any pain either. MP Moriarty even said what kind: Pain, heartbreak, loss & death.
Well, we see him die.
What about pain? We’ve seen him experience pain before.
But what about heartbreak? This is obviously about John.
And loss? He lost Redbeard before and most recently lost John.
And then there’s this scene:
He’s asking himself that question. The devoid of emotions, hard, cold, “sociopath” self. And then his inner self (MP Moriarty) reminds him that he always feels it. And that he doesn’t have to fear it anymore. That its okay to feel, even if most of the time its unpleasant feelings.
Hey y’all, help a girl out and like/reblog this if you are in the Sherlock fandom and I will follow you as I have recently started watching it and would loooove to see some content.
I ship Johnlock but other ships are welcome.
Thank you! 🙂
On today’s edition of Reichenbach Rewatch: Just Fuck Me Up Why Don’t You:
I noticed this little detail among the clues of the kidnapping case. There’s the copy of Grimm’s Fairy Tales that was left in the little girl’s trunk, and what looks like a paperback book aimed at kids.
Okay initially I assumed this was just another of the little girl’s belongings that was in her trunk, and maybe that’s what the police thought it was, but then I took a closer look at the title: Poppy Love.
POPPY LOVE. As in, morphine addiction. And also, if that weren’t bad enough, a play on “puppy love,” which strikes me as just exactly the kind of shitty thing Moriarty would say to Sherlock about his feelings toward John.
Then I had a look at the book itself. IT GETS WORSE HANG ON TO YOURSELVES.
So Poppy Love is a character. This is a book in a series. Other books include Poppy Love Takes the Floor, and Poppy Love: All That Jazz. The books are about dancing. This is the particular book that appears on this table o crime:
Give him a puzzle and watch him dance.
I love dancing. I’ve always loved it.
Given the content of TRF and the general themes of Sherlock getting his comeuppance I mean I just.
