inthenameofpeacewemakewar:

sweetappletea:

imtoobiforyou:

sn0wburr:

mybabybumblebee:

Look at this! Look at this fucking thing! This was done in 1986, and used absolutely no CGI whatsoever. It was ALL practical, and ALL done through puppetry. Look at the last gif. Over a dozen vines are moving at once along with its head, lips, and tongue! In interviews Rick Moranis has stated he often forgot he was working with a puppet, as opposed to a really ugly guy. Even today it looks so real. Audrey ii is nothing short of miraculous

IM SORRY WHAT

WHAT

It took over 60 puppeteers to operate Audrey II’s final form in the film. You can read more about the puppet’s creation and operation here.

The practical effects of Little Shop of Horrors was fucking astounding.  It’s worth it to mention that, in the scenes where the plant is moving, the filming was slowed to 12 to 16 frames a second, so that the film could be sped up to give the Audrey II a more lifelike appearance.  In such scenes where actors like Rick Moranis had to speak with the plant, he had to mouth his lines at a slower-than-normal speed while still looking convincing, only to have his voice added in post. 

It’s also worth mentioning that a crew of 60+ puppeteers were needed to operate the plant, as the entire puppet weighed over a ton. 

datneeks:

socialjusticeichigo:

shadowthorne:

mizushimo:

mauridianhallow:

fangirlingoverdemigods:

drtanner:

suicunesrider:

uneditededit:

Remember in 1993 when Jurassic Park was like…the end all, be all of special effects?

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not gonna lie that still looks intimately real

I’m still somewhat convinced that someone sold their soul to create the special effects in Jurassic Park because that shit is over 20 years old and it still really, really holds up, better than the stuff in a lot of current movies, even.

Fucking witchcraft, man. 

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fucking look at this shit though

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Literally see this post flying around with a few different responses added to the bottom each time so I’ll say it for this one myself:

THEY ACTUALLY BUILT A GIANT MASSIVELY DETAILED FUCKING ANIMATRONIC T-REX FOR ALL OF THIS THAT’S WHY THE EFFECTS ARE SO GOOD. CAUSE IT AIN’T CGI. AND IT AIN’T GUY IN A COSTUME. IT’S A BIG FUCKING ROBOT DINOSAUR. AND EVERY PART IS DESIGNED TO MOVE. IT COST LIKE HALF THE BUDGET OF THE FILM.

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amazing

And they had the film it in small increments, especially in the outdoor scenes, because the rain fall kept soaking into the ‘skin’ of the rex and would slow down and mess up its movements. So they would stop filming and have a crew out there drying off this massive, fake dinosaur, and then they’d start filming again until it was too wet. Repeat until the end of the scene.

They used animatronics and detailed costumes for most if not all of the dinosaurs in the first movie.

The triceratops for instance, was also animatronic.

And the raptors were dudes in suits. I shit you not.

One of my favorite anecdotes I’ve read on tumblr is how the t-rex robot from Jurassic park would malfunction while it was drying out. How did it malfunction, you might wonder?

Motherfucker randomly started moving.

So apparently if you were on the jp set you would sometimes hear people screaming bloody murder even though they were all well aware that it was a giant animatronic puppet and wouldn’t actually, you know, eat them.