This was recorded by the Portsmouth Sinfonia in an experiment where all the members of the orchestra would swap instruments with each other and attempt to play them to the best of their ability.
favorite things about this
literally all the brass starts to get the hang of it and then the crescendos happen and everyone is like FUCK FUCK FUCK??? FUCK. JUST. BLOW RLY HARD.
the strings are lazy but also the same. like u can tell a lot of the ppl w/ the stringed instruments may already basically know how to play stringed instruments. like there’s definitely a section at the beginning where you hear a good portion going “oh yeah this is like. a smaller/bigger version of what i do.”
all you hear of any woodwinds is just “pffffttt??? pFFFTTTT???? PFFFFFTTTT I SAID PFFFFTTTT!!!!!” bc woodwinds are fucking HARD and you hear after like the first crescendo half of them just give up. they give up. they’re done. fuck this it tastes weird and my lips hurt.
that trumpet. that person is fucking TRYING man they fucking GOT this. they may not have figured out notes but they figured out LOUD and they GOT this.
Sometimes i play my bass guitar like a cello. #experminental #bassguitar #cello #ambient
this sounds like you’ve just entered a really earthy ancient temple and you’re just standing there in awe as light floods through a crack in the ceiling
Just for shits and giggles I was looking at my John Barrowman playlist (84 songs, time 4:58:13, only a couple duplicates) and these are my most played:
The Boston Symphony was performing Beethoven’s Ninth. In the piece, there’s a long passage about 20 minutes during which the double basses have nothing to do. Rather than sit around the whole time looking stupid, some bassists decided to sneak offstage and go to the tavern next door for a quick one. After slamming several beers in quick succession (as double bassists are prone to do), one of them looked at his watch. “Hey! We need to get back!”
“No need to panic,” said a fellow bassist. "I thought we might need some extra time, so I tied the last few pages of the conductor’s score together with string. It’ll take him a few minutes to get it untangled.“
A few moments later they staggered back to the concert hall and took their places in the orchestra. About this time, a member of the audience noticed the conductor seemed a bit edgy and said as much to her companion.
“Well, of course,” said her companion. “Don’t you see? It’s the bottom of the Ninth, the score is tied, and the bassists are loaded.”
