Famous Poems Rewritten as Limericks

thessalian:

blue-author:

mslorelei:

jessamygriffin:

eternalrisingphoenix:

ceruleancynic:

naamahdarling:

seananmcguire:

animatedamerican:

eriakit:

morkaischosen:

naamahdarling:

thepoetrycollection:

The Raven

There once was a girl named Lenore
And a bird and a bust and a door
And a guy with depression
And a whole lot of questions
And the bird always says “Nevermore.”

Footprints in the Sand

There was a man who, at low tide
Would walk with the Lord by his side
Jesus said “Now look back;
You’ll see one set of tracks.
That’s when you got a piggy-back ride.”

Response to ‘This Is Just To Say’

This note on the fridge is to say
That those ripe plums that you put away
Well, I ate them last night
They tasted all right
Plus I slept with your sister. M’kay?

Stopping by the Woods on a Snowy Evening

There once was a horse-riding chap
Who took a trip in a cold snap
He stopped in the snow
But he soon had to go:
He was miles away from a nap.

Do Not Go Gentle Into That Good Night

There was an old father of Dylan
Who was seriously, mortally illin’
“I want,” Dylan said
“You to bitch till you’re dead.
“I’ll be pissed if you kick it while chillin’.”

I Wandered Lonely As a Cloud

There once was a poet named Will
Who tramped his way over a hill
And was speechless for hours
Over some stupid flowers
This was years before TV, but still.

THE ONE FOR DO NOT GO GENTLE

IM CRYING

A chap from a faraway land
Said two big stone legs (topless) stand
An inscription fine
Reads “this shit’s all mine”
But all there’s to see is the sand.

OMFG,

The Second Coming

The falcon flies wider in scorn
All things fall apart, or are torn
And now, what rough beast
Will arise in the East
And slouch Bethlehemward to be born?

Edgar Allen Poe, “The Raven”:

Enthroned on the bust by the door,
The raven exclaims “Nevermore!”
It’s rather annoying,
For I was enjoying
My mourning for dear lost Lenore.

Edgar Allen Poe, “The Bells”:

Bells are quite noisy, it’s true,
And each has a quite distinct hue,
From silver and gold
Different stories are told,
Foretelling both glory and rue.

W. H. Auden, “Funeral Blues”:

Shut off the clocks and the phone,
And let no dog bark with his bone:
Let the planes overhead
Only say “he is dead”…
Now I’m sorry, there’s nobody home.

T. S. Eliot, “The Lovesong of J. Alfred Prufrock”:

A man can walk down on the beach
Roll his pants up and munch on a peach;
He isn’t deluded
And won’t be included
By mermaids that sing each to each.

T.S. Eliot, “The Wasteland”:

You called me the hyacinth girl
When you gave sweet Shakespeare a whirl;
The city’s unreal,
And the dead men don’t feel,
So let’s let the storm warnings twirl.

Lewis Carroll, “The Jabberwock”:

‘Twas mimsy out there by the wabe
And all of the momewraths out grabe.
The Jabberwock’s dead
(Some kid took off its head,
And his father said “You’re my best babe!”).

Beowulf:

Terribly troubled, the Thane
Demanded defense from a Dane
For fierce in the fen
Mighty monsters maimed men
Great Grendal gave plenty of pain.

William Butler Yeats, “Stolen Child”:

Come on, human kid, and let’s go,
There’s so much to see and to show.
Run off with the fae,
Hurry fast, skip away,
And you’ll never a mortal life know!

John Keats, ‘La Belle Dame Sans Merci":

The sedge is all dry; spring has sped,
And the birds that once sang have all fled.
The merciless dame
Goes on making her claim
To young hunks who keep winding up dead.

Lord Tennyson, “The Princess”:

The echoes keep fading away
With the splendor that ebbs with the day,
But the castle is grand
In this bright fairyland,
And there’s not that much else I can say.

Christina Rossetti, “Goblin Market”:

At goblin men we mustn’t stare,
And we shouldn’t go to their Fair.
Their fruit may seem tasty,
But we can’t be hasty,
And don’t let them play with your hair!

Oh my god, the Beowulf one.  Oh.

holy shit, the merciless dame is perfect

I love the jabberwock!

Shakespeare, Sonnet 18


Have I called you a summer’s day yet?

Like the sun, and ur makin me sweat

Even Death is dismayed

Cuz you castin’ no shade

An I wrote this so peeps won’t forget

I’m in awe.

The Tygre
William Blake

A tygre with dread symmetry
did burn so brilliantly 
that I asked with a fright
in the forest of night,
“Did God make the lamb and thee?”

Believe Me, if All Those Endearing Young Charms
Thomas Moore

My love whom I gaze on today,
if all your looks faded away
I would love you still more
than ever before
and in love with you always I’d stay.

The Lady of Shalott
Alfred, Lord Tennyson

A tender young lass from Shalott,
was forbidden to spy Camelot.
But within her mirror,
Lancelot did appear,
now the lass from Shalott is not.

Catullus 16
Catullus

To the old queens, Aurelius and Furius:
your criticism leaves me quite curious.
Do you think I am weak
because soft words I speak?
‘cause I’ll fuck both your faces, I’m serious.

This just keeps getting better and better.

The real story behind the war over YA novels

The real story behind the war over YA novels

My cousin Helen, who is in her 90s now, was in the Warsaw ghetto during World War II. She and a bunch of the girls in the ghetto had to do sewing each day. And if you were found with a book, it was an automatic death penalty. She had gotten hold of a copy of ‘Gone With the Wind’, and she would take three or four hours out of her sleeping time each night to read. And then, during the hour or so when they were sewing the next day, she would tell them all the story. These girls were risking certain death for a story. And when she told me that story herself, it actually made what I do feel more important. Because giving people stories is not a luxury. It’s actually one of the things that you live and die for.

 Neil Gaiman (via jaynestown)

I think fanfiction is literature and literature, for the most part, is fanfiction, and that anyone that dismisses it simply on the grounds that it’s derivative knows fuck-all about literature and needs to get the hell off my lawn.

Most of the history of Western literature (and probably much of non-Western literature, but I can’t speak to that) is adapted or appropriated from something else. Homer wrote historyfic and Virgil wrote Homerfic and Dante wrote Virgilfic (where he makes himself a character and writes himself hanging out with Homer and Virgil and they’re like “OMG Dante you’re so cool.” He was the original Gary Stu). Milton wrote Bible fanfic, and everyone and their mom spent the Middle Ages writing King Arthur fanfic. In the sixteenth century you and another dude could translate the same Petrarchan sonnet and somehow have it count as two separate poems, and no one gave a fuck. Shakespeare doesn’t have a single original plot—although much of it would be more rightly termed RPF—and then John Fletcher and Mary Cowden Clarke and Gloria Naylor and Jane Smiley and Stephen Sondheim wrote Shakespeare fanfic. Guys like Pope and Dryden took old narratives and rewrote them to make fun of people they didn’t like, because the eighteenth century was basically high school. And Spenser! Don’t even get me started on Spenser.

Here’s what fanfic authors/fans need to remember when anyone gives them shit: the idea that originality is somehow a good thing, an innately preferable thing, is a completely modern notion. Until about three hundred years ago, a good writer, by and large, was someone who could take a tried-and-true story and make it even more awesome. (If you want to sound fancy, the technical term is imitatio.) People were like, why would I wanna read something about some dude I’ve never heard of? There’s a new Sir Gawain story out, man! (As to when and how that changed, I tend to blame Daniel Defoe, or the Modernists, or reality television, depending on my mood.)

I also find fanfic fascinating because it takes all the barriers that keep people from professional authorship—barriers that have weakened over the centuries but are nevertheless still very real—and blows right past them. Producing literature, much less circulating it, was something that was well nigh impossible for the vast majority of people for most of human history. First you had to live in a culture where people thought it was acceptable for you to even want to be literate in the first place. And then you had to find someone who could teach you how to read and write (the two didn’t necessarily go together). And you needed sufficient leisure time to learn. And be able to afford books, or at least be friends with someone rich enough to own books who would lend them to you. Good writers are usually well-read and professional writing is a full-time job, so you needed a lot of books, and a lot of leisure time both for reading and writing. And then you had to be in a high enough social position that someone would take you seriously and want to read your work—to have access to circulation/publication in addition to education and leisure time. A very tiny percentage of the population fit those parameters (in England, which is the only place I can speak of with some authority, that meant from 500-1000 A.D.: monks; 1000-1500: aristocratic men and the very occasional aristocratic woman; 1500-1800: aristocratic men, some middle-class men, a few aristocratic women; 1800-on, some middle-class women as well). What’s amazing is how many people who didn’t fit those parameters kept writing in spite of the constant message they got from society that no one cared about what they had to say, writing letters and diaries and stories and poems that often weren’t discovered until hundreds of years later. Humans have an urge to express themselves, to tell stories, and fanfic lets them. If you’ve got access to a computer and an hour or two to while away of an evening, you can create something that people will see and respond to instantly, with a built-in community of people who care about what you have to say.

I do write the occasional fic; I wish I had the time and mental energy to write more. I’ll admit I don’t read a lot of fic these days because most of it is not—and I know how snobbish this sounds—particularly well-written. That doesn’t mean it’s “not good”—there are a lot of reasons people read fic and not all of them have to do with wanting to read finely crafted prose. That’s why fic is awesome—it creates a place for all kinds of storytelling. But for me personally, now that my job entails reading about 1500 pages of undergraduate writing per year, when I have time to read for enjoyment I want it to be by someone who really knows what they’re doing. There’s tons of high-quality fic, of course, but I no longer have the time and patience to go searching for it that I had ten years ago. But whether I’m reading it or not, I love that fanfiction exists. Because without people doing what fanfiction writers do, literature wouldn’t exist. (And then I’d be out of a job and, frankly, I don’t know how to do anything else.)

“As a professor, may I ask you what you think about fanfiction?” (via meiringens)

This is awesome and so good to remember. And for those of us that do write fanfic, the feedback helps us to stretch an grow and become better writers and maybe write more then the fanfic (not that theres anything wrong with the fanfic of course!). I know for me personally this amazing experience has given me the confidence to switch my major from something ‘safe’ to something I really want to do.