Feminist criticism isn’t about ripping something to shreds or making others feel guilty for liking it. It’s simply about pointing out a specific creative weakness and then taking that a step further to explain the real-world social ramifications of that weakness, all in the hopes of dissuading future filmmakers from making the same mistake.

If you like Return Of The Jedi but hate the Ewoks, you understand feminist criticism · For Our Consideration · The A.V. Club

“But Miri!” you might protest. “This article is wrong because some feminists do rip things to shreds and claim that I’m a bad person if I enjoy those things!”

“Well!” I might respond. “I disagree with those people, but I didn’t birth them and therefore am not responsible for their actions and opinions.”

(via wellroundedcharacter)

dozmuffinxc:

10r3:

99dog99:

it is so upsetting listening to so many males talk about all of the times they have gone on road trips alone and slept in their cars alone or on the side of the road, or travelled overseas alone and slept on the floor of strangers homes or in parks or at hostels, and they appear to have such freedom in that they are able to be alone in ways that females, unfortunately, cannot. and there is an ignorance surrounding this in that these boys never seem to comprehend just how fortunate they are that strange people and unfamiliar places and the dark of night are not their enemies but rather exciting, promising things.

“Yes, my consuming desire is to mingle with road crews, sailors and soldiers, barroom regulars—to be a part of a scene, anonymous, listening, recording—all this is spoiled by the fact that I am a girl, a female always supposedly in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yes, God, I want to talk to everybody as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night…”

― Sylvia Plath, The Unabridged Journals of Sylvia Plath

It’s funny that this should come across my dash tonight. A few hours ago (about 10PM my time), I took the dog I’m watching for a walk in his neighborhood. It was fully dark, and while there were streetlights, visibility wasn’t great. Deep down, I knew I would be fine and that even if there was some ne’er-do-well lurking in the shadows, the presence of this big dog would probably be deterrent enough. Nevertheless, I felt the need to keep my pocket-knife in my hand as we walked, and as we went around one particularly dimly-lit corner, I flicked the blade out for easier access and jogged until we got back into the light of the nearest street lamp. The sad thing is, as ridiculous and neurotic as it (should) sound to be walking in a suburban neighborhood with a knife at the ready “just in case,” I’ve been mugged in my own neighborhood, and that fear is always there. I sat on the porch and read after our walk, but I didn’t stay out long because it was just the dog and me and when he started barking at something I couldn’t see, my first instinct was to go right inside and lock the door. Best thing to do in that situation? Yeah, probably. But should I have to feel that way? Hell no! …Right?

It’s interesting you know, doing these press junkets and having people come up to you and say ‘Ah, strong women, strong women!’. It’s like, no, we’re just actually women in this movie. We had a filmmaker that understood that the truth is women are powerful enough, and that we don’t wanna be put on pedestals or be made super unnaturally strong and capable of doing things we are not capable of doing, but what we are capable of doing is really interesting.

Charlize Theron, Mad Max press Conference. (via buttsauce-vakarian)

A Tasting Menu of Female Representation:

cl-hilbert:

The Bechdel:

two or more women talking to each other about something other than a man

The Mako Mori:

at least one female character with her own narrative arc that is not about supporting a man’s story

The Sexy Lamp:

a female character that cannot be removed from the plot and replaced with a sexy lamp without destroying the story.

Chef’s Specials:

The Anti-Freeze:

no woman assaulted, injured or killed to further the story of another character.

The “Strength is Relative”:

complex women defined by solid characterization rather than a handful of underdeveloped masculine-coded stereotypes.