caecilius-est-pater:

caecilius-est-pater:

caecilius-est-pater:

I was searching the Latin/Greek section of a used bookstore for some ~aesthetic~ antique Latin books, and I came across this beautiful 1889 tome: 

This is going to look great on my “look at me I’m a pretentious twat” bookshelf.

But then… the first few sentences read:

“In 1875 delegates of the Oxford University Press proposed to me that I should undertake the compilation of a new Latin-English Lexicon, of something the same compass as the Greek-English Lexicon of Liddell and Scott. I acceded to the proposal in the expectation, for which I had at the time what appeared to be good grounds, that I should obtain adequate assistance in the work. My hopes were, however, disappointed.”

Ouch.

He goes on to detail how he spent 12 years working on A all by himself. Then the university asked him to publish what he had, so he threw together the rest of the book, clearly caring less and less the further he got in the alphabet – the entire Q section has four entries – and published… this.

Obviously this is going straight onto my pretentious twat shelf as a goofy conversation starter, but it is interesting and potentially useful if obscure Latin words are your thing. (Did you know “ramen” is a hapax legomenon meaning “a small chip or shaving”?)

So if you ever come across a really obscure Latin word or name that you can’t find anywhere, hmu… but only if it starts with A.

idk who’s responsible for this suddenly getting hundreds of notes overnight months after it was posted, but I’m glad you guys are enjoying it. Makes me feel less like my dad was right to go “you’re spending 25 quid on that?”

Anyway, who wants to see a photo of the place I bought it, which is pretty much the most perfect bookstore on the planet?

Spiral staircase? Book loft? Stained glass windows? Obviously a repurposed church? Book stacks like a set out of Harry Potter? A pile of actual literal scrolls? A wood-burning stove? OK, that one is maybe not so great since it’s in Inverness aka the cold-ass Scottish highlands, but lack of central heating is a sacrifice I’m very willing to make.

Since so many people in the comments and tags are asking:

1. The book is Contributions to Latin Lexicography by Henry Nettleship. I don’t know where you can get a physical copy, but if you just want to read it there’s a scan available online.

2. The four words starting with Q are quaestuarius, qualitas, qualitativus, and quattuorvir.

operativesurprise:

keplercryptids:

keplercryptids:

I spent the afternoon arranging our books by size and color (and it’s so satisfying and looks amazing) and my partner came home and stared in shock at the bookcase and then said “i’m a librarian, you can’t do this.”

him: you split up all the song of ice and fire books

me: yeah i know, they’re all primary colors, it’s perfect

him: [self-destructs]

You’re a monster

ladyeowyn:

so metropolitan museum of art has a register of books they’ve published that are out of print and that you can download for free! they’re mostly books on art, archeology, architecture, fashion and history and i just think that’s super useful and interesting so i wanted to share! you can find all of the books available here!

bruinhilda:

As a library worker, there’s something I want to say to you.

You do not have to apologize for the books you choose to read.

At all.  To anyone.  You owe nobody any explanations; you need no excuse or “good reason” to be reading the book.

You do not have to be ashamed for wanting to read “bad” books.  You wanna read Twilight?  We got Twilight.  Need a banal, cookie-cutter-plot mystery or thriller?  Those are always fun.  Our regulars check them out by the towering stack.  Ask Betty for recommendations; she’s read them all.  50 Shades of Oh Fucking No?  We’ve got it, we even got it in large print.  Have fun.  Check out the rest of our porn too.  Oh, and the sex manuals are a MUST if you want to “experiment” yourself.  Don’t be afraid to ask; they’re here for a reason.

Want to read a book written by a huge asshole everyone hates and agree was a monster?  Yeah, we have those.  No, we don’t think you’re an asshole for wanting to know what was actually written in there, or judging things for yourself.

You are not too old for Diary of a Wimpy Kid, The Babysitter’s Club, or Captain Underpants.  You are not too young for Sherlock Holmes.  There’s nothing wrong with a boy reading The Princess Academy or Sweet Valley High.  There’s nothing wrong with a girl being into The Hardy Boys or Artemis Fowl instead.

You do not have to pull the shame face and offer me an excuse when you check out your books.  I don’t care if I got so angry at that book I threw it against a wall when I read it: you have the right to read it, and enjoy it if it’s enjoyable for you.  THAT’S WHY THE LIBRARY HAS IT IN THE FIRST PLACE.  If we only stocked pure, unproblematic literature everyone approved of, by authors of unquestionable virtue, we wouldn’t have any books at all.  Or music.  Or movies.  It would be utterly fucking boring.  And it certainly wouldn’t be a library.

egmon73:

redgreyandpurple:

janinawoods:

theredheadinquestion:

janinawoods:

(Ssshhh… a little birdy told me that the Kindle version of my second Mycroft novel is available early… if you’re interested in Victorian SecretAgent!Mycroft, check out the sample…)

Janina, is it better for you (sales wise) to sell a hard copy or a Kindle copy? If it’s the hard copy (which, I believe, is usual) I’ll keep my pre-order. But if it’s not…….

@janinawoods

So kind of you to ask @theredheadinquestion ! 💜 For me it doesn’t make a huge difference. You can go ahead and get the Kindle version, if you’re eager to read it! 💜💜💜

@janinawoods that’s really good to know 😀 so…

kindle then, I am sorry but I don’t have any more physical space for books….

Famous authors, their writings and their rejection letters.

ramoorebooks:

  • Sylvia PlathThere certainly isn’t enough genuine talent for us to take notice.
  • Rudyard KiplingI’m sorry Mr. Kipling, but you just don’t know how to use the English language.
  • Emily Dickinson[Your poems] are quite as remarkable for defects as for beauties and are generally devoid of true poetical qualities.
  • Ernest Hemingway (on The Torrents of Spring): It would be extremely rotten taste, to say nothing of being horribly cruel, should we want to publish it.
  • Dr. SeussToo different from other juveniles on the market to warrant its selling.
  • The Diary of Anne FrankThe girl doesn’t, it seems to me, have a special perception or feeling which would lift that book above the ‘curiosity’ level.
  • Richard Bach (on Jonathan Livingston Seagull): will never make it as a paperback. (Over 7.25 million copies sold)
  • H.G. Wells (on The War of the Worlds): An endless nightmare. I do not believe it would “take”…I think the verdict would be ‘Oh don’t read that horrid book’. And (on The Time Machine): It is not interesting enough for the general reader and not thorough enough for the scientific reader.
  • Edgar Allan PoeReaders in this country have a decided and strong preference for works in which a single and connected story occupies the entire volume.
  • Herman Melville (on Moby Dick): We regret to say that our united opinion is entirely against the book as we do not think it would be at all suitable for the Juvenile Market in [England]. It is very long, rather old-fashioned…
  • Jack London[Your book is] forbidding and depressing.
  • William FaulknerIf the book had a plot and structure, we might suggest shortening and revisions, but it is so diffuse that I don’t think this would be of any use. My chief objection is that you don’t have any story to tell. And two years later: Good God, I can’t publish this!
  • Stephen King (on Carrie): We are not interested in science fiction which deals with negative utopias. They do not sell.
  • Joseph Heller (on Catch–22): I haven’t really the foggiest idea about what the man is trying to say… Apparently the author intends it to be funny – possibly even satire – but it is really not funny on any intellectual level … From your long publishing experience you will know that it is less disastrous to turn down a work of genius than to turn down talented mediocrities.
  • George Orwell (on Animal Farm): It is impossible to sell animal stories in the USA.
  • Oscar Wilde (on Lady Windermere’s Fan): My dear sir, I have read your manuscript. Oh, my dear sir.
  • Vladimir Nabokov (on Lolita): … overwhelmingly nauseating, even to an enlightened Freudian … the whole thing is an unsure cross between hideous reality and improbable fantasy. It often becomes a wild neurotic daydream … I recommend that it be buried under a stone for a thousand years.
  • The Tale of Peter Rabbit was turned down so many times, Beatrix Potter initially self-published it.
  • Lust for Life by Irving Stone was rejected 16 times, but found a publisher and went on to sell about 25 million copies.
  • John Grisham’s first novel was rejected 25 times.
  • Jack Canfield and Mark Victor Hansen (Chicken Soup for the Soul) received 134 rejections.
  • Robert Pirsig (Zen and the Art of Motorcycle Maintenance) received 121 rejections.
  • Gertrude Stein spent 22 years submitting before getting a single poem accepted.
  • Judy Blume, beloved by children everywhere, received rejections for two straight years.
  • A Wrinkle in Time by Madeline L’Engle received 26 rejections.
  • Frank Herbert’s Dune was rejected 20 times.
  • Carrie by Stephen King received 30 rejections.
  • The Diary of Anne Frank received 16 rejections.
  • Harry Potter and The Philosopher’s Stone by J.K. Rolling was rejected 12 times.
  • Dr. Seuss received 27 rejection letters