levynite:

son-of-drogo:

littlemissonewhoisall:

coolclaytony:

favinatriceneea:

paintmeahero:

forthegothicheroine:

Villains in Addams Family movies go to really unnecessary lengths to defraud them of the family fortune. These people just give it away on whims all the time. If I just walked into the house and started wearing their clothes and spending their money, they wold start introducing me as Cousin Intruder and forget there was ever a time I didn’t live with them.

Gomez in particular would enjoy your boldness, Cousin Intruder.

Oh shit.

The Addams family loves and greets every person entering one of their homes.

The Addams family adopted or married every person wishing to stay.

This is why the Addams family is full of freaks.

Of course.

So what we’re saying is, tracing the Addams’ geneology is damn near impossible and it’s just as likely that no living member of the family is actually a blood relative of the people who originally held the family name?

What I’m hearing is that Batman is actually an Addams. 

He most certainly is

I could have sworn I saw someone prompting this somewhere

endreal:

franklyunfabulous:

drnerdlove:

avotica:

breelandwalker:

obstinate-nocturna:

bemusedlybespectacled:

Gomez gives out better relationship advice than like 90% of dudes.

Gomez Addams is a suave motherfucker who loves his wife more than his own life.

Everyone should want a Gomez. He’s p cool.

Gomez and Morticia Addams actually have a very loving and extremely healthy relationship, both in the old TV show and in the more recent movies. They were also one of the first television couples to be shown to have an active (albeit offscreen) sex life. Their frank attitude towards sexuality was shocking in its’ time, but their relationship and their family dynamic is actually more functional and more…dare I say it…sane than most families portrayed on TV.

The comedy in the show came from the family’s “odd” lifestyle, rather than from infighting and petty bickering, or worse, as was common on other shows of the time, thinly veiled references to spousal abuse. They didn’t make fun of each other or act like their children were creatures from another world. Were they strange and outside of social norms? Yes. Were they united in creating a loving home and being good, supportive parents? Absolutely.

These two support and adore their children, care for an aging mother and an estranged brother, put family before everything, and they love each other, wholly, fiercely, without reserve. They are every bit as much in love after at least a decade of marriage as they were the day they met.

Relationship goals. LIFE goals.

Just remembered in the second movie when their third child became “normal” for a period and although they were shocked and didn’t know how to handle it, they didn’t mistreat the child or love it any less. They accepted the difference, even though it was hard for them. 

Reblogged for truth.

❤️❤️❤️

Posts about Gomez and Morticia Addams are almost always uplifting and I’m happy to have them on my dash, but I think my favorite bit about this conversation is what Gomez is actually saying to Fester.

It’s nobody’s surprise that many of the aesthetic and thematic elements of The Addams Family in its various incarnations are influenced by Gothic tradition (not goth, that mostly came later. And not Goth, that was much much much too early), and I think Gomez’s words are a dead bullseye in terms of Gothic mentality.

“Make her feel like she’s the most sublime creature on earth”

The sublime is a recurring theme throughout Gothic literature. Although the word (like “awesome”) has lost a lot of it’s original luster over the intervening decades, sublime doesn’t really mean elevated and lofty (or even heavenly) as it’s often used today, but rather something possessing the power and grandeur to induce awe and veneration in the mind of the beholder. Although less than divine, something sublime possessed a wildness and power that transcended human ability to control…or even to comprehend.

Sublime is standing at the edge of the Grand Canyon leaning as far as you dare over the railing and still not being able to see the canyon floor below. Sublime is warrior-queen Galadriel being tempted by the One Ring. Sublime is waking up in the middle of the night in the heart of a wild thunderstorm.

“Make her feel like she’s the most sublime creature on earth”

Gomez isn’t advising Fester to treat a woman he fancies like a princess, or even elevate her to pedestal of angelic nature (who’s idea was it to equate femininity with purity anyway? What a laughable and historically damaging idea. Shame on whatever dead (probably) white dudes promoted that!)

Gomez is advising Fester that if he truly loves a woman he must do everything he can to remind her of how she’s an untameable force of nature who’s grandeur brings him to his knees in awe and terror. Just like Morticia, for Gomez.

I’ll sign off with one of my most favorite quotes of all time, because it feels suddenly very relevant:

“When I find myself surrounded by so much beauty, I feel as if I am the eye of a hurricane.”

– -Sanjay Kulkarni

wednesday addams makes a friend

ruffboijuliaburnsides:

fromchaostocosmos:

animatedamerican:

ruffboijuliaburnsides:

brittajj26:

okay, but imagine:

wednesday is at the local library with her father, searching the shelves for a book uncle fester told her about dangerous animals in south america. Gomez strikes up a conversation with the elderly librarian mrs. phelps to help wednesday find what they are looking for.

“That one? Or, Mr. Addams – I’m afraid it’s been checked out.”

a squeaky wheel catches wednesday’s attention, and right past her walks a girl with an ENTIRE red-rocket wagon topped full of books. the girl carefully looks over each book and drops them carefully into the book-return

that’s when wednesday sees it – the book she’s been looking for.

wednesday walked slowly up to the girl’s wagon, and touched the cover.

“I just finished that one,” the girl says. wednesday straightens up. “It has a fascinating chapter on the red-bellied piranhas of South America.”

“We’re looking at getting one for Pugsley’s tank,” wednesday says.

“A piranha? It will eat your fish,” she said.

“I’m counting on it.”

“Is Pugsley your fish?”

“My brother.” Wednesday replied.

The girl thought a moment. “You’ll need at least a dozen – they hunt best in schools.”

wednesday just barely smiled, a single corner of her lips turning up. “I’m wednesday addams.” she said, extending a hand.

“Matilda,” the girl replied, shaking her hand. “Matilda Wormwood.”

I think the best part about this is that the Addams would adore her and just shower her with love.

Wormwood,” says Gomez, enchanted. “What a lovely name.“ 

Don’t forget Miss Honey she would really love the Addams family and they her

She would initially be kind of concerned, but the moment Morticia opened the door and welcomed her and showed such kindness to her own daughter and to Matilda and to Miss Honey herself, as soon as Gomez was a complete gentleman welcoming them into their home, she’d love them. And they would be a little uncertain about her, so soft and sweet and light compared to them, but they would see how she didn’t stare in horror at their decor, and how she nodded along, listening intently, as they talked about Pugsly’s most recent achievements, and they would love her so.

How The Addams Family does BDSM right

lmskitty:

nautica-the-savant:

catvincent:

wolvensnothere:

handypolymath:

fangirlscout:

themadkatter13:

alphateamsub:

mrdavidrusso:

This post originally appeared on LondonFuse.

Morticia and Gomez Addams art print by Etsy seller ParlorTattooPrints
Morticia and Gomez Addams art print by Etsy seller ParlorTattooPrints

The depiction of BDSM in popular films suffered a blow from which it will not easily recover with the release of Fifty Shades of Gray. While it was unfortunately many people’s introduction to the topic, bloggers from all corners of the internet have derided the relationship pictured in Fifty Shades for what it really is: abuse masquerading as kink. But twenty-four years ago, a family comedy centered on a couple who liked to torture each other for pleasure gave audiences a much healthier glimpse at BDSM.

Netflix describes the movie as “Stepping out of the pages of Charles Addams’ cartoons and the 1960s television series, members of the beloved, macabre family take it to the big screen.” Some scenes from the 1991 film The Addams Family are indeed straight out of the Charles Addams comic on which it’s based, like when the family douses a group of Christmas carolers with a cauldron full of steaming liquid. Others — like Morticia trimming the heads off of roses to arrange the stems in a vase — are exact recreations of the ‘60s TV series.

But what separates the film from the Family’s earlier iterations (besides, you know, colour) is the reciprocal nature of Gomez and Morticia’s relationship. The tired and offensive trope of an uninterested woman pursued by a lascivious man has appeared over and over again since the advent of television, and though Gomez and Morticia always exhibited a love and respect for each other stronger than nearly all TV couples, even the ‘60s version of Morticia had to rein Gomez in from time to time. Obviously this has a lot to do with the media mores of the time… but unfortunately, those sentiments still prevail today. And that’s why the The Addams Family film is so unique in its depiction of relationships.

The Addams’ lawyer Tully and his wife Margaret exemplify a sadly more familiar and cynical marriage: two people who ostensibly can’t stand each other but feel forced to stay together. The loathing is definitely mutual: when Margaret asks rhetorically, “Why did I marry you?” Tully responds, “Because I said yes!” The “unhappily married” cliché exists to varying degrees in most American media, to the point where Gomez and Morticia’s contrasting relationship is noteworthy.

The Addams constantly become enrapt with each other, getting sidetracked by each other’s allure, recalling their first meeting fondly, waltzing presumably numerous times a day. Morticia’s first lines of the movie, as the ever-present ghostly light with seemingly no source illuminates her eyes, describe Gomez’s sexual behaviour the night before: “Last night you were unhinged. You were like some desperate howling demon. You frightened me.” The camera zooms closer while she adds: “Do it again.” That’s right: the very first lines between the couple aren’t just a rare example of a man and woman who have been married for some time who can actually stand to be around each other. These lines, and the couple themselves, are an example of consensual BDSM.

The passion between the two has been famous since the television show, and the movie does an excellent job highlighting it as well. But unlike the ‘60s television show, Morticia seems as willing as Gomez to derail the conversation and submit to whatever distracting passion arises. The famous “Tish, that’s French!” lines are not, in the film, an example of Gomez’s passionate obsession with Morticia while she sighs and shakes her head happily. Morticia is an active participant and instigator when it comes to their conversation-stopping carrying-on. She’s just as happy as he is to make the others, and the audience, wait for the action to move forward, while they engage in behaviour more suited in media to new, young love than to a mom and dad.

Morticia takes it upon herself to confront Fester and initiate the film’s climax. The villains overpower her instead of listening to her, and strap her to a rack to torture her so that she’ll tell where the Addams family vault is hidden. Of course, following in the Too Kinky to Torture trope, Morticia isn’t phased by the stretching (she famously referred to the torture room as “the playroom” in the ‘60s TV series). Fester, however, is extremely anxious about hurting Morticia. The whole reason she allowed herself to be put in this “predicament” that for her is regular foreplay is so that Fester’s resolve would be weakened even more so against his overbearing and abusive mother. When Gomez turns up to “rescue” her, it’s less that she needed rescuing and more that Gomez needed the thrill and motivation to get out of his Sally-Jessy-Raphael-watching funk and defend his home. In this way, Gomez is more of the damsel in distress than Morticia ever will be. This is also the only time that Morticia dissuades her husband from continuing their flirting. As Gomez is loosening her straps while Fester confronts his mother, he’s clearly distracted:

Instead of scolding him like a typical wife character, Morticia reassures him that there will be time to continue the torture scene.

But what’s even more exciting, for me at least, is when Gomez and Morticia’s mutual attraction and respect is again evident in their kinky sex life. “Don’t torture yourself, Gomez,” Morticia orders: “That’s my job.” This movie doesn’t only offer an example of a loving, respectful BDSM couple — something painfully rare whenever kink is broached in film — but a loving, respectful, switch BDSM couple. That is to say, it seems as though each member of their exquisitely enviable partnership takes turns acting as the dominant and submissive role.

Much has been written in the blogosphere about what a good feminist role model Morticia is, and I agree entirely. But I would like to enthusiastically add that she takes the role of Dominatrix at least some of the time, and that it’s not played for a laugh or to emasculate Gomez. The passion, love, and respect the Addams couple famously has for each other extends to their role-reversing kinky sex life.

More than two decades later, filmmakers could really benefit from taking a page out of The Book of Addams and show us kinky couples who are also consensual, loving, and respectful. Though of course, none will approach the wonder that is her “mon sauvage” and his “cara mia.”

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from @offbeathome http://offbeathome.com/2015/09/addams-family-bdsm

This is the most perfect thing.

I’ve been in love with the Addams family since I was a kid, and the amount of perfect this is, making new points to an old favourite, makes me want to cry. I love it.

Especially of note is the observation that Morticia and Gomez are switches, because I think there’s a general misunderstanding that this is not a thing.

Always Reblog Addamses. And this is but one of the many reasons why.

My wife & I have always seen Morticia & Gomez as the best marriage on screen, BDSM or not… but especially the BDSM.

Morticia and Gomez are truly an iconic couple in modern media. And the love and trust they have for eachother is beautiful.

The Adams family was my fave when I was younger and now, I used to feel really ashamed for not being interested in the sexuality/ portrayal of relationships on tv and didnt understand the appeal I always found Gomez and Motticia’s relationship really comforting because they were so in love. Years later when I got into BDSM and watched it again it was like oh! They’re my absolute OTP 🙂