Anyone else tired of the 3 guy 1 girl character setup in literally every movie ever?
It’s because at roughly that ratio is where men feel that men and women are represented equally.
There was a study done and when there was 1:1 male/female the male audiences felt as though there were more too many women. In general the men studied perceived things like 3 guys to 1 girl as more representative of the world.
That disgusts me.
There have also been studies in which it was found that men think women talk much more than they actually do – if they have to share equal air time with a woman they think they’re not getting a word in edgewise.
Imagine being so used to privilege and prioritization to think that the equal treatment of others is an unfairness to you.
a crowd scene that is 17% women is considered ‘too much’ when women are half of the population.
Children who feel they cannot engage their parents emotionally often try to strengthen their connection by playing whatever roles they believe their parents want them to. Although this may win them some fleeting approval, it doesn’t yield genuine emotional closeness. Emotionally disconnected parents don’t suddenly develop a capacity for empathy just because a child does something to please them.
People who lacked emotional engagement in childhood, men and women alike, often can’t believe that someone would want to have a relationship with them just because of who they are. They believe that if they want closeness, they must play a role that always puts the other person first.
— Lindsay C. Gibbon, Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents (2015)
Joan Blondell performs “Remember My Forgotten Man” in Gold Diggers of 1933 (1933)
Joan [Blondell] was not the most musical of stars. Her dancing was passable, but she was wanting vocally. Her singing voice was, in fact, everything her speaking voice was not – flat, limited in range, and uninteresting. Berkeley was not deterred. “It was a spectacle type of number and a good one to use in those dark days of the Depression when many people had forgotten about the guys who had gone to war for our country,” he said. “I did something extraordinary in that number, too, when I had Joan Blondell sing the song because Joan Blondell can’t sing. But I knew she could act it. I knew she could ‘talk it’ and put over the drama for me.”
Joan is galvanizing in “Remember My Forgotten Man.” In her few moments with the song she is sultry, vulnerable, bitter, and yearning. She is then followed by the magnificent Etta Moten, who provides the song a vocal melody. Later still, the soldiers, then bums, make for a powerful musicalization of politics and history. “Remember My Forgotten Man” is perhaps the most socially urgent song ever conceived for an American musical film. ~Matthew Kennedy, “Joan Blondell: A Life Between Takes”
