Why are people still up in arms about AO3 needing donations to run? Their budget is publicly available. You can go onto the website, right now, and read it. If you donate more than a certain amount (pretty sure it’s more than $10), you can vote in their elections, because you’re considered a member, and that’s how memberships work.
It’s a free site to use, but not to run or to maintain, especially not with all these net neutrality battles.
Y’all gotta understand that it’s not just fanworks, there’s a lot more that goes into archiving.
Signal boosting this because it’s important af. OTW is a nonprofit organization, specifically a public charity as classified by the US tax code. That means they file a 990 tax report each year that lets you see all of their finances – what they’re spending money on, where their money comes from, etc. You can see their 2016 990 here if you’re so inclined.
And if you’re not sure about how OTW is using their donations? Ask questions. Get involved. Even if you’re not comfortable with or not in a position to donate, there are lots of opportunities to give your time; it’s an all-volunteer organization that recruits regularly. I know for a fact that I get more value out of what OTW provides than most, if not all, my other paid services combined, so $10 to be a member is more than worth it.
ao3 is routinely used as an example of an excellent digital archive in library and information schools – they’re not just a fansite; they’re held in high regard by people across the industry. they run initiatives to preserve old fansites and groups, in addition to the day to day work of hosting all of our work ad-free to ensure maximum creative freedom. ao3 is not just a place to post your fic; it catalogues and preserves our history and culture.
I feel like people who complain about AO3 either weren’t around before we had it, don’t have any idea why, and in the wake of what/in response to what it was started, or underestimate the amount of time, resources, and effort necessary to create and maintain such a platform.
Because otherwise, they would just have to be jerks.
Torchwood: Outside the government. Beyond the police. Slapping their logo on anything that holds still long enough since 1879.
I did a Torchwood-themed pumpkin last year, as well, but it shriveled and caved in before Halloween. This year I decided to carve one of those foam craft pumpkins, so it will last for the next thousand years or so. It came out pretty well! Just for grins, I might enter this in the Doctoberfest Doctor Who pumpkin carving contest.
i’m watching an art theft documentary and they’re interviewing this art history professor from new york who was asked to go with the fbi to authenticate a rubens that had been stolen but it was a sting operation so they had to pretend like they weren’t the fbi, that they were some private buyer about to pay $3.5 million for it, and the fbi was like “this is a VERY delicate operation because you never know how they will react to what you have to say so let the agent do all of the talking, don’t say a word to anyone just nod if it’s the rubens, the last operation we did the guy in your position got shot because things went wrong in a second” and then it cuts to the professor’s interview and he says “i wasn’t going to fly down to miami to be a part of an undercover fbi sting operation to handle what could be rubens’s aurora and just NOT say anything. i was gonna have to ad lib a little” and then he tells the interviewer that when he & the fbi agent got to the hotel while he was examining the painting he started lecturing the other people, first on how badly they had wrapped it, and then about like how it had been painted, the history of it, what the subject was and what she was doing, etc etc, and he was like “i hadn’t taught a class on rubens in 15 years, so for me it was like being back in the classroom except my students couldn’t leave”
at one point during the deal the professor turned to the woman selling it and he said “isn’t this just the most beautiful rubens you’ve ever seen outside of a museum?” (because the fbi had told him earlier that this piece had been stolen from a museum) and THEN he said “where on earth did you get it from?” and the group of people the woman had with her was like taxidermy-fox.png but the woman was like “inheritance” can you IMAGINE the fbi agent about to have a fucking aneurysm when this random guy you’ve brought in just to nod if it’s the right painting not only starts giving an impromptu lecture but then he asks how they got it
For those interested, this is from a mid-2000s docu series called Art of the Heist
