A story for all you Jurassic Park loving peeps out there. I learned about
this in my Disaster Response and Emergency Preparedness course that I
just started.
In 1992, Jurassic Park was finishing filming on the
island of Kaua’i in Hawai’i. The final day was scheduled for September
11. However, brewing out in the Pacific and headed straight for Hawai’i
was Category 4 Hurricane Iniki. The crew had been keeping an eye on it,
but it was expected that Iniki would turn its course slightly. The
afternoon of September 10, however they were informed that it was going
to make landfall in a few hours, impacting Kaua’i with the main brunt of
it. The crew of hundreds was ordered into the basement of the hotel
they were staying in, and they waited it out that night. (Rather
hilariously, Richard Attenborough slept through the whole ordeal where
others were awake, huddled together and fearing for their lives. When
Spielberg asked him about it, he answered, “My dear boy, I survived the
blitz!” I guess after that, a little hurricane is just pleasant white
noise.)
The next day, after the storm had passed, the whole island
was in shambles. Infrastructure was totally destroyed, electricity was
entirely knocked out, and radio service was down. The crew had escaped
harm, luckily, though the sets were totally destroyed. That’s actually
why we don’t see any of Ray Arnold’s journey to the power shed, because
that set was ruined during the storm. Anyway, I digress.
The crew
comes out of their basement shelter to find total devastation and a city
in disarray. Even though help would be arriving soon, since the
National Weather Service had been monitoring the storm and knew the
island was hit, there would be no way for the relief efforts to begin
with the infrastructure so heavily damaged. Airstrips and landing pads
had also been demolished in the storm, and hospitals were without power.
There was also no (rather, just severely limited) way to move the
debris that was keeping citizens from aid.
EXCEPT a gigantic, highly
skilled and intelligent film crew with lots of industrial equipment and
literally nothing better to do.
Within hours of the storm’s
passing, the film crew personnel had dug out their bulldozers and
cranes, jury rigged up whatever else they needed from the animatronics,
and began blazing a path through the wreckage to the air strip where
they cleared the whole landing site, then began working on major city
streets. They also used their set generators to help restore power to
critical city functions, and their satellite phones to call for extra
assistance from the mainland (after they had evacuated their cast, of
course).
Even though the ships and helicopters arrived to take the
crew home that day, as planned, many (if not most) of the crew stayed on
Kaua’i to assist in cleanup and relief efforts.
It’s estimated by
Emergency Management officials and experts that if the crew had not been
there, the recovery efforts would have been delayed by as much as 3
weeks, as little as 3 days, and several hundred people would have died
in the aftermath of Hurricane Iniki.Hollywood gets a bad rep for being selfish, but they can save lives and I think that’s really cool.
Crew guys are awesome.
the folks in a tv/movie crew are probably the most creative, innovative and resourceful people you’ll find – they can make miracles happen with a roll of duct tape, a bit of wire, and a 9-volt battery.
oh and I found a Storm Stories about it on Youtube too.
IT’S TOTALLY FUCKING FINE TO BE ATTACHED TO FICTIONAL CHARACTERS!!!
slightlyaggressiveaffirmations:
WHETHER IT’S BECAUSE YOU SEE YOURSELF IN THEM, OR THEY INSPIRE OR JUST COS YOU THINK THEY’RE HELLA FUCKING COOL!!! YOU ARE ALLOWED TO LOVE THE THINGS YOU LOVE!!!
The REAL Civil War Is Inside Marvel Studios
The REAL Civil War Is Inside Marvel Studios
Marvel
seems adamant not to change with the times. Coming under fire for a
lack of diversity, the treatment of female characters, the failure to
deliver films that push the boundaries, The Powers That Be at Marvel
have done the minimal to try and placate fans. But it’s not good enough,
and people are really starting to notice.Finally an article discussing the true face of Marvel Studios and their executive decisions. No fan pleasing platitudes here, just a pull of the curtain to face some hard truths: They need to do better.
I hate to be that person to comment unnecessarily on a post, but please actually read this article. It absolutely NAILS Marvel and it’s about high time. Please read it, it is infinitely more than worth the time it takes (which is already about two minutes so…)
Everyone needs to read this now.
Wow. Somebody hit the nail on the head. Well said.
o
“And if you have any doubts by this point it’s actually the Big Boys at
Marvel who are unlikely to support diversity just know that their CEO
recently gave 1 Million to Trump’s campaign for the White House. Yeah…
that’s where our movie ticket money went.” (my emphasis)Seriously: read this article.
but a romantic, gay relationship between Peggy and her friend Angie was something Marvel recoiled from; Angie was removed, new male love interests were introduced, the plot suffered, fan interest plummeted, and the show went under.
Someone was paying attention to what happened with Agent Carter
What happened with Agent Carter was the most blatant case of Gay Panic I have ever seen
Marvel realised that the viewers (And the actors for that matter) were shipping Angie and Peggy together and freaked the fuck out, removed Angie from the show and immediately tried to shove some boring ass male love interests for Peggy down our throat and then brought Angie back for a dream sequence all about Peggy choosing which man she wants to be with as if to scream at the top of their voices ‘LOOK HOW NOT GAY THESE WOMEN ARE LOOK HOW STRAIGHT THIS IS’
And of course the show wound up cancelled come season two because amazingly, audiences didn’t want forced and uninteresting heteronormativity nor did they want to see screen time wasted on Peggy falling in love with some dull ass guy whose character was boring as paste
Let’s also not forget that the Agents of SHIELD TV show had absolutely NO references to Victoria Hand or Isabelle being lesbians on the show and then promptly killed both of them off and to date STILL hasn’t had ANY representation of lesbian characters or couples on the show and remains entirely heteronormative and cisnormative
Guardians of the Galaxy removed the lesbian couple from the team and the director, when asked about it by fans, admitted that he wanted to include them in the film and it was Marvel who said no to this idea
Over a dozen movies, four TV shows and numerous shorts and the only representation Marvel has given queer women in live action is three lesbian supporting characters in one of their Netflix shows that is safely tucked away and not really connected to the large MCU
Bloody spot-on. Get your shit together, Marvel. Your cowardice is holding you back, and nothing showed that more than Agent Carter.
ibelieveinthelittletreetopper:
This video won at VegasCon 2016.
AUTHOR’S DISCLAIMER: This video is a tribute to Dean Winchester and I thought the idea would be funny. That’s it. It’s not an opinion on Dean’s sexuality or a shipping war or anything else. It’s just a video that gave me GREAT joy to make, and that I hope you all enjoy.
This is hysterical.
I don’t think I have EVER seen a fanvid fit its music more flawlessly than this one did. I mean, not just perfectly to the beat but also perfectly to like every single lyric. AMAZING.
I’m not even in this fandom and I about died laughing
A story for all you Jurassic Park loving peeps out there. I learned about
this in my Disaster Response and Emergency Preparedness course that I
just started.
In 1992, Jurassic Park was finishing filming on the
island of Kaua’i in Hawai’i. The final day was scheduled for September
11. However, brewing out in the Pacific and headed straight for Hawai’i
was Category 4 Hurricane Iniki. The crew had been keeping an eye on it,
but it was expected that Iniki would turn its course slightly. The
afternoon of September 10, however they were informed that it was going
to make landfall in a few hours, impacting Kaua’i with the main brunt of
it. The crew of hundreds was ordered into the basement of the hotel
they were staying in, and they waited it out that night. (Rather
hilariously, Richard Attenborough slept through the whole ordeal where
others were awake, huddled together and fearing for their lives. When
Spielberg asked him about it, he answered, “My dear boy, I survived the
blitz!” I guess after that, a little hurricane is just pleasant white
noise.)
The next day, after the storm had passed, the whole island
was in shambles. Infrastructure was totally destroyed, electricity was
entirely knocked out, and radio service was down. The crew had escaped
harm, luckily, though the sets were totally destroyed. That’s actually
why we don’t see any of Ray Arnold’s journey to the power shed, because
that set was ruined during the storm. Anyway, I digress.
The crew
comes out of their basement shelter to find total devastation and a city
in disarray. Even though help would be arriving soon, since the
National Weather Service had been monitoring the storm and knew the
island was hit, there would be no way for the relief efforts to begin
with the infrastructure so heavily damaged. Airstrips and landing pads
had also been demolished in the storm, and hospitals were without power.
There was also no (rather, just severely limited) way to move the
debris that was keeping citizens from aid.
EXCEPT a gigantic, highly
skilled and intelligent film crew with lots of industrial equipment and
literally nothing better to do.
Within hours of the storm’s
passing, the film crew personnel had dug out their bulldozers and
cranes, jury rigged up whatever else they needed from the animatronics,
and began blazing a path through the wreckage to the air strip where
they cleared the whole landing site, then began working on major city
streets. They also used their set generators to help restore power to
critical city functions, and their satellite phones to call for extra
assistance from the mainland (after they had evacuated their cast, of
course).
Even though the ships and helicopters arrived to take the
crew home that day, as planned, many (if not most) of the crew stayed on
Kaua’i to assist in cleanup and relief efforts.
It’s estimated by
Emergency Management officials and experts that if the crew had not been
there, the recovery efforts would have been delayed by as much as 3
weeks, as little as 3 days, and several hundred people would have died
in the aftermath of Hurricane Iniki.Hollywood gets a bad rep for being selfish, but they can save lives and I think that’s really cool.
Crew guys are awesome.
the folks in a tv/movie crew are probably the most creative, innovative and resourceful people you’ll find – they can make miracles happen with a roll of duct tape, a bit of wire, and a 9-volt battery.

















