incurablenecromantic:

eccentricmisseclectic:

autisticdorumon:

Give me a heartwarming Christmas movie about Satan traveling around the world every Christmas to deliver presents to all the young kids and kids with learning disorders and disabilities who misspell “Santa” on their Christmas letters every year

And Santa’s all like, “You know, I can handle a few spelling mistakes, I got this,” and Lucifer is like “They’re addressed to me, fuck off, I’m doing it.”

Lucifer being protective of his fanmail is ceaselessly entertaining.

rrueplumet:

honestly at this point im expectin the captain america movie to end like;

WHO is gonna be the next captain america…. is it bucky…. is it sam…. 

it’s…. it’s…. 

oh my GOD.. it’s LIN MANUEL MIRANDA 

(jimmy fallon goes nuts) 

Yet Hamilton shows how historians’ reliance on documents can make telling history precarious. In a pivotal scene after Hamilton has betrayed his wife, Elizabeth (called by her nickname Eliza throughout the play), she burns the letters he has written to her over the years. It’s an imagined scene that nonetheless demonstrates powerfully how fragile the historical record can be. She sings, “Let future historians wonder how Eliza reacted when you broke her heart,” deliberately asserting her agency over what is remembered. Miranda ends the production with Eliza, too. The cast joins in song to explain that after Hamilton’s death it was Eliza who collected his papers for preservation. The lesson is clear: the sources historians rely on to craft historical narratives exist not by some consequence of nature, but because people like Eliza Hamilton worked to preserve them.