faetalities:

recentlyfolded:

willietheplaidjacket:

johnwatso:

faetalities:

sherlock calling mycroft “blud” was the most embarrassing thing.  if that had been a fanfic i would have closed out of it.

so many things happen in this show that if it were a fanfic i would be like “what the ever loving f”

‘If it was a fanfic I would have closed out of it’ is the perfect summary for my feelings on TEH

I find that “blud” line awkward as well, although I think that that was intentional. I assume that it was meant to balance John’s awkward “mate” later on, as well as the less succinct versions of this with Mrs. Hudson and with Molly. And, together, they were underscoring the whole issue of picking up where things left off…only not, because life really had gone on and no one was untouched by that passage of time. So they all were re-establishing what they were to each other, Sherlock to each of them, full of false steps and awkward moments.

But yeah, I still find the episode unsettling, even though insight from the series as a whole gives it some justification. I mean, what seemed on first viewing to be a wholly changed character shown by Sherlock, we now know reflects the changed POV of the whole series—something I find fascinating and wicked clever. And the issue of facades, confusing or at least fairly insignificant at first, has much greater resonance now we’ve seen HLV. The lack of fall solutions and their replacement by fanfic versions still makes me unfulfilled, but perhaps when I get over my resentment I’ll have a more visceral rather than simply literary appreciation of them. I continue to be a bit grudging in my acceptance of what seems to be kowtowing to BC’s vanity: letting him do his French waiter bit and of course hiring his parents, but those parents show more promise in HLV and that, too, changes how I see them in TEH. And then, yeah, the whole tube carriage scene was just AU when we failed to understand the POV change. This is, even more than TBB, an episode I really don’t rewatch.

I guess that’s what it comes down to for me, then: a whole lot of the OOC that would have had me closing a tab with a written fanfic is now to some degree justified by the series as a whole. Kind of like the fic you’ve noped out of a couple times before but that has now, completed, gotten such good reviews from fans you trust that the later chapters are much improved and the writer posts in a note that they’re now working with a beta and so you suck it up and persevere and while it’s not your favourite fic ever, it’s not terrible. But you’re not sure you can comment with any grace or conviction, so you just leave kudos to be polite and go looking for something more enthralling.

it was a joke but y’all went in 😰

An itemized list of things I love about The Story of Tonight and The Schuyler Sisters

caravanslost:

The Story of Tonight

  • The fucking harmonies that they’ve fit into this brief little song, oh my god.
  • Lafayette’s accent. Namely, “Leeet’s ‘ave eh-notheer ‘round tonight.”
  • “Raise a glass to the four of us / Tomorrow there’ll be more of us.”

The Schuyler Sisters

  • “(werk werk)” “ANGELICA!”, “(werk werk)”, “ELIZA!” –
  • – “and Peggy!”
  • Serious kudos to Jasmine Cephas Jones, because I initially had no idea that the same person was behind the G-rated voice in “The Schuyler Sisters” and the NC-17-rated voice in “Say No To This.”
  • The way Angelica sings Eliza’s name in “Eliza, I’m looking for a mind at work!”
  • Aaron Burr, Prince Regent of Fuckboys, Exhibit A: “Excuse me, miss / I know it’s not funny / but your perfume smells like your daddy’s got money.”
  • Aaron Burr, Prince Regent of Fuckboys, Exhibit B: “Burr, you disgust me.” / “Ah! So you’ve discussed me!”
  • Aaron Burr, Prince Regent of Fuckboys, Exhibit C: “I’m a trust fund, baby, you can trust me!”
  • More importantly: ANGELICA.
  • EVERYTHING ABOUT ANGELICA.
  • “You want a revolution? / I want a revelation / So listen to my declaration!”
  • “We hold these truths to be self-evident / That all men were created equal / And when I meet Thomas Jefferson? / I’mma compel him to include WOMEN IN THE SEQUEL. / [WERK!]”
  • And for the love of god, if you haven’t seen this song performed in the Ham4Ham with Jonathan Groff, Andrew Rannells and Brian D’Arcy James, drop everything. Go. Now.
  • The way your heart just soars at 2:29 when the full chorus joins in for the final, pulsating round of “Look around! Look around! At how lucky we are to be alive right now!”
  • [Or at least mine does.] [And if yours doesn’t, consult your nearest medical professional.]

2 and 14 for bookish ask meme?

  • 2:Describe the last scene you read in as few words as possible. No character names or title.

Despite his age, his father still felt the need to have an older man as strong influence on his sons life.

  • 14:Favorite item of book merch

I don’t really know but I love the barnes and nobles fancy books