Never ever forget that

mid-childan-puella-magi:

  • Steve Rogers was raised by an Irish-catholic single mom in New York in the Depression era
  • Steve Rogers grew up with a ton of disabilities
  • Steve Rogers had an apartment in an incredibly gay section of New York
  • Steve Rogers was a fine arts student
  • Steve Rogers completely missed the Red Scare, McCarthyism, the Cold War, Vietnam, Korea, etc.
  • Steve Rogers was written by two Jewish guys
  • Steve Rogers had a gay best friend and did not consider his love to be any less valid or less real
  • Steve Rogers worked with Japanese-American and black soldiers in, again, the Second World War
  • Steve Rogers was just in a movie about how utterly fucked up the military-industrial complex is

Basically if your Steve Rogers is a conservative commie-hating uberChristian who would be at home in a racist southern church, you’re doing something wrong.

clocktopuses reblogged your post and added:

Thank you! ^_^ That’s really useful 🙂

Very glad to help!

Sorry to bother you – I was wondering if you had any advice for writing romantic characters? I have a bad habit of writing all my characters aromantic/not-in-a-relationship and I have a creative writing test on Tuesday and my character for that needs to be in a relationship and flirt… And you’re a writer. A good one. So I was wondering if you had any tips on writing romance and flirting? Yeah. Sorry.

I hope it’s okay I answer this public? And thank you for the compliment.

Maybe I have a small advantage of being married 16 years. Or I just like Jack Harkness, a lot. I would say the big thing is the small things.If you want to be in a relationship, you notice the small things. You know what they like in their tea or coffee. You laugh at their jokes. If you’ve been a relationship for a while you have your inside jokes and shared experiences. If you’re just meeting someone, take a tip from Jack Harkness, smile, meet their eyes and introduce yourself. It’s a fine line between being creepy and being warm, but it’s about paying attention to the other person, and making sure they know you’re the center of their attention.

It’s also about being patient. That’s how I tend to write/think of Mystrade. Greg is warm and friendly, Mycroft is standofish and aloof. But he melts the ice simply by being there and letting Mycroft know he is willing to take as much time as he needs. John and Sherlock can have a similar dynamic, depending on how you’re writing them.

Like I said, in a more long term relationship, it’s about getting to know the other person. You get to know their lines, what jokes go too far, what things from the past you shouldn’t bring up if you want to keep  you head attached to your shoulders. Real relationships have ups and downs, fights and moments of love. It can be as simple as holding hands. It can be as complicated as watching the sunrise together.