violasarekooltoo:

bangdoot:

new-world-symphony:

i learned the best thing the other day in rehearsal: at the end of the first movement of beethoven 7, all of the strings are playing some type of chromatic passage. in the violin 1, violin 2, cello, and bass parts, the notes are marked d, c ♯, b ♯. yet, in the viola part, the notes are marked d, c ♯, c ♮. beethoven’s reason for doing this? he thought the violists wouldn’t understand the b ♯.

tl;dr — even beethoven made viola jokes

this is gold

It’s sad but true tho

biscuitsarenice:

imagine… Alma Deutscher: Finding Cinderella

Musical prodigy Alma Deutscher aged 11 (seen here with younger sister Helen), is staging her first full-length opera, Cinderella.

Composer, pianist, violinist… Alma learned to read music before she could read words. She began playing the piano aged two and at four years old she was composing her own music.

bunjywunjy:

somos-rosas:

adventuresinstringrepair:

pianoaround:

Does anyone know what this instrument is called? Its like a Marimba but it is very large and made out of huge stones. Listen to that tone! haha Love it!

It’s a type of Vietnamese lithophone (literally rock sound instrument) called a đàn đá. Some ethnomusicologists think that these are likely the oldest type of man made instrument.

she looks like shes having fun lol this is bringing me joy

so you’re telling me that rock is actually the oldest genre

calkoscc:

nickyvmlp:

notaficwriter:

hypothesis: the salt & pepper diner experiment can no longer be conducted as it stands, because everyone is now fully attuned to the opening bars of tom jones’ “what’s new pussycat?”, classically conditioned into a fight-or-flight response. however, this experience can be replicated using 21 back-to-back plays of lou bega’s 1999 hit song “mambo no. 5″, as the general response to “mambo no. 5″ being played twice in a row is not, “hey someone’s playing “mambo no. 5″ again,” but rather, “hey, lou bega’s 1999 hit song “mambo no. 5″ is a lot longer than i first thought.”

So what’s the “It’s Not Unusual” in this situation

Livin’ la Vida Loca

accio-rebels:

lone-star-multiple-moons:

thefingerfuckingfemalefury:

not-so-tall-gay-danny:

oneshortdamnfuse:

panacea-for-the-absent-soul:

ridersofdickhan:

mister-boss:

dannydevito-senpai:

dothepropaganda:

dothepropaganda:

punk isn’t just skinny. punk isn’t just perfect mohawks or aesthetically pleasing jackets. punk isn’t only listening to dead kennedys or black flag. punk is being an individual, having no respect for our fascist authority, sticking up for the little guy even if you are the little guy. punk isn’t just a look or a music scene.

i literally made this because nazis and the alt right can’t be punk

Stop bringing politics into music genres lmao

stop bringing politics…….. into punk????

Here’s Green Day, one of the most popular and well known punk bands.

Wait, but there’s MORE!

Wait, in case you weren’t convinced that the punk scene is political and is all about standing up against fascism and bullshit and racism that America is facing:

shut up. Punk is not just a fucking music genre.

Ok I’m reblogging this again bc when I went to see green day, before they properly started playing they made us make a pledge, at the gig there is to be ‘No racism, no sexism, no homophobia, no donald trump’

Punk has been political long before Green Day existed. The political history of the Punk scene(s) cannot be divorced from the music scene(s) that arose out of them. It is not just about music. It is not just about fashion. The stylistic choices made have meaning and are situated in a social/political context. 

That being said, it’s really important to acknowledge that Neo-Nazis didn’t infiltrate the Punk subculture for no reason. Absolutely, make it clear that Neo-Nazis are not welcome in The Punk Scene. However, part of doing that means confronting how they got there.

Punk music isn’t all about one political stance, though it’s commonly anti-authoritarian. Anyone can utilize the genre to promote their own ideologies, even if a popular intention of the genre is to be anti-authoritarian. Green Day is just one of many bands who use Punk music to spread their ideology. 

It’s not just punk. Music has been used as a form of rebellion against oppression for a hell of a long time. Fuck, centuries even. The people who don’t get this have most likely never been oppressed in their life.

A few protest/”political” songs, and some about specific tragedies, from recent history, that aren’t just punk:

Zombie, The Cranberries

I Know A Place, MUNA

99 Luftballons, Nena

Beds Are Burning, Midnight Oil

Khe Sahn, Cold Chisel

I Was Only Nineteen, Redgum

The Greatest, Sia

Fuck Tha Police , N.W.A

Eve of Destruction, Barry McGuire

We Are The World, USA for Africa

Say It Loud (I’m Black and I’m Proud), James Brown

Big Yellow Taxi, Joni Mitchell (or more recently, Counting Crows)

Born in the USA, Bruce Springsteen

Know Your Rights, The Clash

Holiday in Cambodia, Dead Kennedys

The Revolution Will Not Be Televised, Gil Scott Heron

We’ve been doing this shit forever, it’s not new. War, racism, fascism, homophobia… if it’s harmed people, it’s been put into music. It’s an incredibly powerful medium that has changed the world before, and to say that politics, hatred, and tragedy shouldn’t be featured is, honestly, simply ignorant.

I cannot deal with the sheer level of numbskull-ery in a statement like “Don’t bring politics into music” as if this is some Silly Tumblr Fad and not something that’s been a thing for over a hundred years

bard is a combat class

bard is a combat class

acroamatica:

thesylverlining:

stuffmikeclicked:

notglacier:

you know this fucking tune

They made it into a ringtone because it was old enough to be public domain, and Nokia (I think?) didn’t want to have to pay royalties.

… I like the full version.

are you SHITTING ME. This is one of those posts that makes you question your worldview a little bit, tbh

okay, not quite. not quite. but the truth is better.

the original tune is not this. the original tune is, however, public domain, so they’re not wrong. it’s francisco tárrega’s gran vals – check 0:12.

but THIS, what he’s playing, is the Valse Irritation d’après Nokia, also known as the ringtone waltz, written by Marc-André Hamelin, who is a terrific canadian pianist and who wrote this as a snap reaction to having people’s fucking cellphones go off at concerts.

here’s hamelin talking about it. and playing it himself.

and the instant i first heard the valse irritation, you know what i had to do, immediately, and what at least three other people i know also did?

of course we made it our ringtone, didn’t we. because humans.